Showing posts with label internet radio. Show all posts
Showing posts with label internet radio. Show all posts

Sunday, 5 October 2014

Doing It My Way - Breaking Down This Week's Soul Vibrations Radio Show

For the best part of 40 years it has been my ambition to present a radio show.

I was blessed to be given the chance to be a radio DJ less than two years ago. I now present "Soul Vibrations" every Friday at 6 pm UK time on Phat Soul Radio.

This week I feel moved to write about the show, not because I want to "blow my own trumpet" but because I feel the music, old and new, this particular week proved to be probably the best mix of tunes, the highest quality songs that I have had the privilege to put together.

That isn't to say that songs I have played in the past but omitted this week were in any way inferior; I have played some real crackers over the past 21 months. It's just that this show feels somehow special.

So, in addition to sharing the link to the replay of the show I would ask your forbearance as I wax lyrical about some of the artists and songs in this week's play list.



After the usual excellent introduction from Ronnie Grieco "Just Ain't No Love" we move straight into a Southern Soul threesome courtesy of Otis Clay, Marvin Sease and LGB.

Our first new offering is from Dasha Logan (a new name to me) featuring Paul Johnson, the extended Soul Mix of "Cleverly". Our October Album of the Month is from Gwendolyn Collins, entitled "Storytelling - Side 1", from which we play the remix of "Take A Walk". I was privileged to see Gwendolyn in concert at The Jazz Cafe in London last week; watch out for an upcoming interview.

Gwendolyn Collins at The Jazz Cafe in London
Another new name, Me'nage debuts on Soul Vibrations with "Tasty Love", followed by the first offering on this week's show by Adrena, who's "Cheatin' In The Back Street" reminds me of the kind of vocal performance that Denise LaSalle has made a long career with. Fitting then, that The Queen Of The Blues herself offers Adrena some advice, after the event, that she should have "Kept It In The Bedroom". Johnnie Taylor adds his ten-cents' worth with "Hijackin' Love".

After Al Green's classic "Sha La La (Make Me Happy)" we feature Donnell Sullivan with a great uptempo new song, "Leaving", before enjoying a slow to mid-tempo Motown mix, courtesy of Junior Walker, Jimmy Ruffin, Marvin & Tammi, The Supremes and The Spinners.

There follows a selection of some of the smoothest sounds around, beginning with our second offering from Gwendolyn Collins' album,"The Simple Things", probably my favourite track; I just love Gwen's tribute to her parents at the end of the song.

Next comes our Record of the Month for October: Nellie Travis joins Adrena trying to impart wisdom but the younger woman really doesn't want to give up "Another Woman's Man". This record has it all: great Southern Soul singing; real-life issues addressed by two wonderful vocalists. Watch out for Adrena - she has a great future - you heard it here first!

Jureesa "The Duchess" McBride has one of the smoothest Southern Soul voices around, although she can get Bluesy when necessary. On "I Want To Be Your Super Mistress" The Duchess reaches into her Deep Soul bag, oozes sensuality and delivers a fine vocal performance.

Lola Love is another fine Southern Soul vocalist. Following on from her "The Other Shoe", Lola is back with a great Soulful performance on "I Deserve Better".

One of the most highly respected Soul duos around, Kindred The Family Soul, from Philadelphia, bring us their smooth "A Couple Friends", the title song from a former Soul Vibrations Album of the Month.

Yet another current Soul Diva, Gina Carey follows her excellent "Through The Water", with the equally spine-tingling "Eyes Of A Child"; those high notes just melt me; reminiscent of Minnie Ripperton.

There are so many talented female vocalists on the Soul Music scene right now. Former UK Soul Chart-topping artist Marcia Mitchell brings us her recent hit, "Give Me A Chance To Love You".

Vel Omarr
Vel Omarr continues in the Smooth Soul vein with "The Greatest Song I Ever Sang"

Following these wonderful current  gems, we bring you a string of Southern Soul classics: Bobby Womack "Doing It My Way"; "Precious Precious" from Otis Clay; Ann Peebles "I Can't Stand The Rain"; then a twosome from a lovely lady who had a birthday this week, Dorothy Moore, "Let The Healing Begin" followed by her monster hit from 1976, "Misty Blue".

Karena K recently described her duet with Wily Bo Walker, "Love Will Find A Way" as Acapella Jazz, but I know I am not alone in loving the Doo Wop feel to it, so it only seems natural to follow with Carl Gardner & The Coasters' version of "If I Had A Hammer"; the 1969 remake of "Oh, What A Night" by The Dells and "One Life To Live" by The Manhattans from 1972 but could easily have been recorded ten years earlier.

We kick off the final part of the show, the get up and boogie session, with another Manhattan's track: from their self-titled album released in 1976, comes a great Philly "Modern Soul" foot tapper, "Searching For Love", sounding rather like The O'Jays.

We continue in the Philly groove with The Trammps and a long version of "Hold Back The Night"; Jackie Moore "Both Ends Against The Middle"; "Mighty Love" from The Spinners and "The Soul City Walk", my anthem from the Disco floors of '76, by Archie Bell & The Drells.

We then head back into the Motor City with a selection of Dance Floor Fillers: "I Got A Feeling" by The Four Tops; The Isley Brothers with "Behind A Painted Smile" (without the trademark drum burst at the end, which seems to have been deleted from the digital recording) and Stevie Wonder's "For Once In My Life".

The grand finale consists of five Northern Soul stompers, comprising, from Motown: "R Dean Taylor "Ghost In My House" and "Tainted Love" by Gloria Jones; then a Chicago threesome, "Right Track" by Billy Butler; Major Lance "The Monkey Time" and "Nothing Can Stop Me" by Gene Chandler.

How can three hours go by so quickly? I hope you enjoyed listening to the show; thanks for joining me and I also hope you find this blog interesting and entertaining.








Friday, 5 April 2013

Marvin Gaye and his Girls


Marvin Gaye and his Girls

The Women who Influenced Marvin’s Life and Works

 “Marvin Gaye and His Girls” is the title of a compilation album, released in 1969, showcasing Marvin’s duets with Mary Wells, Kim Weston and Tammi Terrell. This post is not a review of said album; it is a brief study of how Marvin’s life and works were influenced by the women who touched his life.
Left to right: Marvin; Janis; Alberta; Marvin Sr; in front Marvin III.

The biggest, and warmest, influence on Marvin Gaye was his mother, Alberta. She gave him love that was missing from Marvin’s tempestuous relationship with his father, Marvin Pentz Gay Sr; a loveless father – son relationship that would tragically result in Marvin’s untimely death.

Marvin’s first wife, Anna Ruby Gordy was seventeen years older than Marvin; being his boss's sister had obvious advantages, but later as their marriage began to fall apart, Marvin felt, unjustifiably as it happened, that Berry Gordy would be influenced by his sister and try to end Marvin’s Motown career. Although they were unable to have children of their own, Marvin and Anna adopted their son, Marvin III in 1965.

Anna was the prime mover in getting Marvin to record and perform during his formative years as an entertainer. Marvin’s earlier hits, such as, “Pride and Joy” were purely him singing to his wife. “Stubborn Kind of Fellow” was based on Anna citing his stubbornness.

While recording the “Let’s Get It On” album, Marvin was introduced to family friends of Ed Townsend, co-writer and co-producer, who brought their seventeen year old daughter, Janis Hunter to the studio. It was love at first sight; ironically a seventeen year age difference in the opposite direction to Marvin and Anna, did not stop a relationship flourishing. Marvin later dedicated his “I Want You” album to Janis.

 Janis moved in with Marvin and the couple had two children: daughter Nona (born September 4, 1974) and son Frankie (born November 16, 1975). After a long and painful divorce with Anna; Marvin dedicated his album, “Here My Dear”, along with his advance and royalties, as alimony to Anna, Marvin and Janis married in 1977. The couple divorced in 1981.

Marvin’s younger sister Zeola has upset Janis, along with Marvin’s children, including Anna and Marvin’s adopted son, Marvin III, by producing a play entitled “My Brother Marvin”, claiming it to be based on newly revealed journals kept by Marvin’s parents in the 1980s.

Janis has labelled the play, which opens to the sound of a gunshot, exploitative and ghoulish. The play features none of Marvin’s music; something that prospective theatre goers might reasonably expect to hear during a play claiming to be about the man.

It seems controversy continues to surround Marvin Pentz Gay II nearly thirty years after the singer’s death. Marvin himself added the ‘e’ at the end of his surname in an attempt to distance himself from his father, who administered the fatal wound on April 1st 1984. 

Paul Forrest will be featuring tracks from Marvin Gaye in his radio show, "Soul Galore" on Wolfman Radio Saturday 5th April 4 pm UK time (11 am Eastern, 10 am Central, 8 am Pacific).

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